The
ASG Conference of 1997
By
Lealean Peace
I'll never forget my first ASG
conference. It was in July 1997 and I was a little nervous. OK…I
was real nervous. Representatives from Asylum Records, Hamstein
Music Group, BMI, ASCAP, and SESAC were going to be present, along
with several well known major record label producers, publishers
and A&R reps. The keynote speaker was a man by the name of Jason
Blume, who I was told, had many major label cuts in various music
styles including country, pop and R&B. I arrived at the conference
about thirty minutes before registration time just to scope the
place out and get my bearings. When I was convinced that I knew
my way around, I started reading through the section of the conference
program that contained the bio's of the music industry professionals
that were going to be there to listen to and critique our songs.
These people were real-life movers and shakers in the commercial
music business. I also thought about ASG member Tom Douglas and
the number one Collin Raye hit that he wrote called "Little Rock".
I was told that he was able to get that song to Collin Raye through
the music industry contacts that he made at this exact same conference
a year or two ago. By now I was past really nervous and was bordering
on extremely nervous. But you know what, the ASG conference of
1997 turned out to be a great experience for me. I was fortunate
enough to meet a lot of other "past really nervous" songwriters
that have since become very good friends and co-writers. I learned
so much about the craft of lyric writing just by listening to
the critiques of my songs and the other conference hopefuls. I
won't forget how I was inspired by keynote speaker Jason Blume
as he talked about using imagery to "paint a picture for the listener",
to "show" what was going on in a song. He used the song "Strawberry
Wine" as an example of how to do that right, explaining in detail
how the songwriter pulled that off lyrically. The ASG Conference
of 1997 turned out to be a great experience for me. It was there
that I was able to meet several major music industry representatives
that still allow me to come into their offices in Nashville when
I get the chance to make it over there on occasion. I was lucky
enough to get a song picked up by Asylum Records and another one
by Tres Hombres Publishing. Though nothing big actually happened
for me as a result of them picking the songs up, I did learn some
skills and techniques that day that helped me when I rewrote both
songs and wound up getting them both signed later to single song
publishing contracts with other publishers. I hope that you get
the opportunity to feel the excitement and nervousness that I
felt when I attended my first conference. I'll have to admit that
I still get nervous. For me it's a good feeling though. I'm nervous
because I know that there is at least a chance that I may be able
to realize my dream of writing a hit song…. Best of luck with
your hit songwriting.
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